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Pink Noise Ear Training For Sound Engineers: 63 Hz, 18 dB Boost

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As a sound engineer, the most important skill that you can have to is have good ears. This means training your ears to be able to identify what you are hearing. Once you are well versed in listening out to different frequencies, you will be able to create the perfect audio experience for your audience.


Pink Noise Ear Training for Sound Engineers: 63 Hz, 18 dB Boost

Anyone can train their ears to listen and identify different frequencies.

The Pink Noise Ear Training Video below will train you to identify different frequencies..

The video makes use of Pink Noise. Pink Noise is a type of sound. Compared to White Noise, it has more energy at the lower frequencies and replicates how the human ear hears sound.

This Pink Noise Ear Training Video alternates between Pink Noise and 18 dB boost at 63 Hz. Use it to learn to identify the 63 Hz frequency.

For best results, listen using headphones.

Pink Noise Ear Training For Sound Engineers: 31 Hz, 18 dB Cut

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Learn to identify the 31 Hz frequency with an 18 dB cut with this ear training video. As a sound engineer, the most important skill that you can have to is have good ears. This means training your ears to be able to identify what you are hearing. Once you are well versed in listening out to different frequencies, you will be able to create the perfect audio experience for your audience.


Pink Noise Ear Training for Sound Engineers: 31 Hz, 18 dB Cut

Anyone can train their ears to listen and identify different frequencies.

The Pink Noise Ear Training Video below will train you to identify different frequencies..

The video makes use of Pink Noise. Pink Noise is a type of randomized sound. Compared to White Noise, Pink Noise has more energy at the lower frequencies and replicates how the human ear hears sound.

This Pink Noise Ear Training Video alternates between Pink Noise and 18 dB cut at 31 Hz. Use it to learn to identify the 31 Hz frequency.

For best results, listen using headphones.

Pink Noise Ear Training For Sound Engineers: 31 Hz, 18 dB Boost

0

Learn to identify the 31 Hz frequency with an 18 dB boost with this ear training video. As a sound engineer, the most important skill that you can have to is have good ears. This means training your ears to be able to identify what you are hearing. Once you are well versed in listening out to different frequencies, you will be able to create the perfect audio experience for your audience.


Pink Noise Ear Training for Sound Engineers: 31 Hz, 18 dB Boost

Anyone can train their ears to listen and identify different frequencies.

The Pink Noise Ear Training Video below will train you to identify different frequencies..

The video makes use of Pink Noise. Pink Noise is a type of randomized sound. Compared to White Noise, Pink Noise has more energy at the lower frequencies and replicates how the human ear hears sound.

This Pink Noise Ear Training Video alternates between Pink Noise and 18 dB boost at 31 Hz. Use it to learn to identify the 31 Hz frequency.

For best results, listen using headphones.

What Is Wavelength & How Does It Relate To Sound Waves?

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A sound wave’s wavelength is the length of a single cycle of the wave, from peak to peak or trough to trough. Different frequency sound waves would have different wavelengths. In general, the higher the frequency, the shorter the wavelength.


What is a Wavelength?

To understand wavelength better, consider a toy like a Slinky: the wavelength is the space between two adjacent coils as you move the toy up and down.

A high-pitched whistle would have a short wavelength, whereas a deep bass note might have a long one. The relationship between a sound’s frequency (or pitch) and the speed of the sound in the medium it is traveling through is called the wavelength.

Sound waves are measured in air or another medium to determine their distance.


Calculating Wavelength

Wavelength can be calculated with the following formula:

Wavelength = Speed of Sound in a Medium / Frequency


Factors affecting Wavelength

Factors affecting Wavelength

The following variables may impact a sound wave’s wavelength:

Wavelength and frequency are inversely related, so a sound wave with a higher frequency will have a shorter wavelength and vice versa.

Medium: A sound wave’s wavelength can also be impacted by the medium it is traveling through. The density and compressibility of the medium are two physical characteristics that affect the speed of sound in that medium. The wavelength and frequency of a sound wave remain the same when it travels through a new medium, but the speed changes, changing how the wavelength appears in the new medium.

Temperature: The medium’s temperature can also influence how quickly sound travels through it, which can change the sound wave’s wavelength. The wavelength will shorten as the temperature rises because the speed of sound generally increases with temperature.

Pressure: Both the speed of sound and the wavelength of a sound wave are influenced by the medium’s pressure. In general, as pressure rises, the speed of sound increases, causing the wavelength to shorten.

Humidity: Although to a much lesser extent than temperature and pressure, humidity can also affect the sound wave’s wavelength and speed.

Keep in mind that these variables can interact, which means that several variables may have an impact on the wavelength of a sound wave at once. The particulars of the situation will determine the precise effect of each factor.


Changes in Wavelength Moving From One Medium to Another

The wavelength of a sound wave can change as it travels through different media. Happens because a medium’s density and compressibility have an impact on the speed of sound therein. Even if a sound wave’s frequency doesn’t change when it passes in a different medium, its speed does. Therefore, based on the formula above, this will affect how the wavelength in the new medium.

For instance, a sound wave moving from the air to the water will do so more quickly and with a shorter wavelength. This is the reason why things look bigger visually in water than they do in the air. When a sound wave travels from water to air, similar effects take place: the wave’s speed increases and its wavelength shorten. This is known as refraction.

Therefore, a sound wave with the same frequency will have a different wavelength in water and air.

What Is Frequency?

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Frequency is one of the most important concepts in sound. It is the basic building blocks of sound engineering – the alphabets of sound.

In this article, we’ll explore what is frequencies and what it means for sound waves to have different frequencies, and how frequencies are related to our perception of music.

What is Frequency?

What is Frequency and Hertz

Sound waves are generated by vibrations in the air or other media like water or solids.

1 Cycle

The simplest example of a sound wave is a sine wave, shown above.

Sound waves move in cycles. One cycle will have one peak and one trough.

Frequency is the number of cycles that a wave completes in one second.

What is Hertz?

The unit of measurement for frequencies is Hertz (Hz) or number of cycles per second. It measures the number of times a wave repeats itself in one second.

1 Hz Sine Wave
1 Hz Sine Wave

If a sound wave repeats itself one time each second, it would have a frequency of 1 Hz.

30 Hz Sine Wave
30 Hz Sine Wave

If a sound wave repeats itself 30 times every second, its frequency would be 30 Hz.

Listen to a 30 Hz sine wave. You will have to listen very closely because it a very low frequency and will sound more like a rumble. If you are using headphones, keep the volume low to avoid hearing damage.

80 Hz Sine Wave

If a sound wave repeats itself 80 times a second, it would be a 80 Hz sound wave.

Listen to a 80 Hz sine wave. If you are using headphones, keep the volume low to avoid hearing damage.

Once the frequency gets to 1,000 Hz, it often shorted with the letter “k”. For example, 1000 Hz is the same as 1 kHz.

Listen to a 1 kHz sine wave. If you are using headphones, keep the volume low to avoid hearing damage.

5,600 Hz would be 5.6 kHz.

Listen to a 5.6 kHz sine wave. If you are using headphones, keep the volume low to avoid hearing damage.

Frequencies that Humans can Hear

The human ear can can hear frequencies that are between 20 Hz and 20,000 Hz (20 kHz ). Anything that is below 20 Hz or above 20 kHz is inaudible to humans.

It should also be noted that as a person grows older, he or she will start to lose his or her ability to hear higher frequency sounds.

How Do Frequencies Relate to Music?

Frequency is closely related to pitch. Higher frequency sounds are higher pitched. A super-shrill sound like a whistle has a very high frequency.

On the other hand, low frequency sounds can come across as more rumbly and deep sounding.

Musical notes are tied to specific frequencies. One frequency that musicians would be familiar with is A440. This is often used as a standard reference point for instruments to tune to. It is the pitch of of the musical note A above Middle C and has a frequency of 440 Hz.

Listen to a 440 kHz sine wave. If you are using headphones, keep the volume low to avoid hearing damage.

Other musical notes have different frequencies. The frequency of Middle C on a 88-key piano is 262 Hz. The lowest note on the piano is an A and has a frequency of 27 Hz. The highest note on the piano is a C and has a frequency of 4186 Hz.

Measuring Frequency

If you have a digital tuner or have spectrum analyzer downloaded onto your smart phone, you can view the frequencies visually.

Summary

Frequency is the number of complete cycles per second a sound wave makes. It’s measured in Hertz (Hz).

Frequency is closely related to pitch, because human ears can perceive certain frequencies as being higher or lower than others.

Next, you can learn about amplitude.

What Are Sound Waves?

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What is Sound?

What is Sound?

Sound is a created by the vibrations of molecules in the air, water or solids. When these vibrations reach your ear, they’re converted into electrical impulses by your ear drum. Your brain then interprets these electrical impulses as sound.

Sound is Energy

Sound is Energy

These vibrations can originate from various sources. These include the human vocal cords (which comes out as vocal sounds or words) or things being hit together, for example hands clapping.

Musical instruments can be another source of these vibrations and different musical instruments used different means to create the vibrations. For example, a saxophone has a reed that vibrates and moves the column of air in the saxophone. A drum generates sound waves when it is hit.

Energy is required to start all these vibrations, whether by clapping hands or blowing into a saxophone. This energy then gets transmitted through media like air, water or solids to the ear. This is why you will also hear people refer to sound as energy.

Sound Waves

Sound waves refers to how sound travels.

Ocean Waves

When you look at waves in the ocean, you can observe them rising and falling traveling as they towards the shore. The waves rise up to peaks and then fall to troughs as they move along.

Sound Waves

Similarly, you can observe a caterpillar moving in waves by bunching up its body and then extending it in order to advance forward.

Sound waves are how sound energy travels from the source (e.g. hands clapping) to the destination (e.g. the ears).

Peaks & Troughs

Sound waves belong to a family of waves known as longitudinal waves. in a longitudinal wave, the movement is along the same direction as a wave.

Imagine a slinky toy. There are two ways that you can create waves using a slinky.

Sound Waves

The first way is to shake it up and down. This results in a wave where you can see a visible hump along the slinky. This is known as a transverse wave.

Longitudinal Waves

The second way to create a wave with a slinky is to hold one end stationary while moving the other end back and forth in the direction of the stationary end. You won’t see a visible hump but there are waves created as parts of the slinky get squeezed and stretched.

Sound waves are similar to the second type of wave known as longitudinal waves. The characteristic of the longitudinal wave is that the wave pattern moves in the same direction as where the wave is going.

Visualizing Sound Waves

Visualizing Sound Waves

Sound waves can be visualized by plotting out where the air molecules are squeezed and stretched. The technical term for molecules being squeezed together is compression (i.e. the molecules are being compressed together) and when they are stretched apart, this is know as rarefaction.

By plotting out where the compressions and rarefactions are on a graph, you will get a visualization of the sound wave.

The peaks are where the molecules are compressed together and the troughs are where they are stretched apart.

Conclusion

So, now that you know all this, the next time you hear a noise, think about what it really is — the vibration of molecules traveling through the air to reach your ear.

Next: Learn about frequencies

Examples of Condenser Microphones And Their Applications

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Condenser microphones can often be the preferred type of microphone when it comes to recording and capturing the delicate nuances of a performance. While there are many different types of condenser microphones, we have put together some examples of condenser microphones and also listed out their applications.

Characteristics of a condenser microphone

Characteristics of a condenser microphone

Different condenser microphones excel at different things. The best microphone for a specific application depends on the specific use case and personal preference. Nonetheless, there are still some things to bear and in mind and look forward when it comes to choosing a condenser microphone.

Consider the frequency response of the microphone. This refers to the range of audio frequencies that it can accurately reproduce. Make sure that the microphone you choose has a frequency response that will work well for the sound source that you will be picking up.

Also, look for a microphone with a robust construction and a good built-in shock mount or isolation to help reduce handling noise.

If you are planning to use the condenser microphone for live or studio work, it would typically just have an XLR connector that allows you to plug in a microphone cable so that the signal can be sent out to the mixer.

However, with the rise in popularity of podcasting and recording from home, there are not more condenser microphones that are designed to be used with a built-in pre-amplifier to connect directly to a computer or other recording device. This makes it convenient for home recordings but such type of microphones are usually not suitable for stage or studio work.

Of course, price can also be a big determining factor when it comes to choosing what condenser microphone to buy. Condenser microphones come at different price ranges, from entry-level to professional level. Determine your budget and look for a microphone that will meet your needs within that budget.

Examples of condenser microphones

Finally, it is also worth noting that condenser microphones can come in different form factors as well. Some of these may look like a typical handheld microphone for stage work, as a gooseneck for use on a podium, or they can come in a side address form factor that you may have podcasters use.

Examples of condenser microphones

Brand Microphone Applications
AKG C214 Vocals, acoustic guitar, drums, overheads
AKG C1000 Vocals, drums, guitar, podcasting, streaming
AKG C414 Vocals, drums, guitar, podcasting, streaming, overheads, room micing
Blue Yeti Podcasting, streaming, voiceovers, instrument recording
Audio-Technica AT2020 Vocals, drums, acoustic guitar, podcasting, streaming
Shure KSM9 Vocals
Shure SM27 Vocals, drums, guitar, podcasting, streaming
Shure SM81 Instruments, Acoustic guitar, drums, overheads, piano, percussion
Rode NT1-A Vocals, drums, guitar, podcasting, streaming
Neumann TLM 102 Vocals, guitar

 

Please keep in mind that this is not an exhaustive list of condenser microphones. There are many other condenser microphones available and advances in technology are always happening. The ones listed above are just some of the popular options.

Different microphones are better at different things and the best microphone for a specific application depends on the specific use case and personal preference.

You can also view a list of common dynamic microphones.

Examples Of Dynamic Microphones And Their Applications

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Dynamic microphones are very versatile. They can be used for a wide variety of applications, whether it is as a vocal microphone or used to pick up instruments. We look at some examples of dynamic microphones and their applications.

Dynamic microphones characteristics

A good dynamic microphone will have a number of key characteristics. They can act as good general purpose microphones for a variety of uses.

When choosing a dynamic microphone, some of the things that you should look out for include whether it has a good frequency response, meaning whether it can accurately reproduce a wide range of audio frequencies.

Next, a good dynamic microphone should have a decent sensitivity so that can capture even quiet sounds clearly.

Thirdly, it should have a low self-noise, meaning that it doesn’t introduce unwanted noise into the signal. Related to this, when choosing a dynamic microphone, look for one that has a good built-in shock mount. This will isolate it from handling noise, in other words, the it reduces the handling noise from the user holding on to it.

Lastly, it should have a robust construction that can withstand typical use and abuse, such as being dropped or bumped around.

Examples of dynamic microphones and their applications

Examples of dynamic microphones and their applications

Here are some examples of commonly used dynamic microphones and the applications that they are used for.

Brand Model Application
Shure SM58 Vocals
Shure SM57 Instruments/ Drums / Guitar Amps
Shure Beta 52A Bass Drums/Instruments
Shure SM7B Vocals, podcasting, streaming, speech, Voice-over
Sennheiser e935 Vocals
AKG P3 S Vocals
AKG D5 Vocals
Sennheiser e602 Kick Drums/Bass Amps

 

Please note that this is not an exhaustive list and there are many other dynamic microphones available from different brands. These are just some of the most popular and widely used microphones in their category, but there are other models from these brands that are also highly regarded in the industry as well.

Common dynamic microphones and their applications

Finally, take note that the application of the microphone will also vary depending on the user and the environment.

See some common examples of condenser microphones.

Types Of Microphones: Understanding 3 Different Types – Dynamic, Condenser & Ribbon

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One of the most common pieces of sound equipment that you will come across are microphones. There are many different aspects of microphone design, but for a start, there are three types of microphones that you should be aware of at a start. Two of these are ones that you will likely encounter most often.

Introduction to different types of microphone

Different types of microphones have their own unique characteristics and best uses. The three different types of microphones that you should be aware of are the dynamic, condenser and ribbon.

Dynamic microphone

Types of Microphones - Dynamic microphone

Dynamic microphones are probably the most common type of microphones. They are the simplest, the most rugged and also the cheapest.

This type of microphone makes use of a moving coil and magnet to convert sound into an electrical signal. The moving coil is attached to a diaphragm at the front of the microphone. When sound waves hit the diaphragm, it causes the coil to move back and forth in the magnet’s magnetic field. This generates a very small electrical current that is sent out from the microphone as the audio signal.

Dynamic microphones are rugged and built to withstand high sound pressure levels, which makes them well-suited for live performances where they may be subjected to loud sounds.

They are also designed to be durable and to withstand the wear and tear, or abuse, of regular use. Dynamic microphones do not require an external power source. Instead, they work simply based on the energy of the sound waves hitting the diaphragm.

However, compared to other types of microphone such as condensers and ribbons, dynamic microphones are less sensitive. This means that they may not capture as much subtle detail in a performance.

They are commonly used for live performance settings, especially for vocals and drums and are considered a reliable and robust type of microphone.

Condenser microphone

Condenser microphone

A condenser microphone captures sound by creating differences in electrical voltages. There is also a diaphragm in a condenser microphone that moves with the incoming sound waves. The diaphragm is connected to a metal plate. An electrical charge between the metal plate and a separate back plate creates a capacitance. You can this of this as a reservoir of electricity. When the diaphragm moves, this disturbs the “reservoir” and the “ripples” are then sent out of the microphone as the audio signal.

Condenser microphones are more sensitive and responsive to sounds. They tend to respond well to high-frequency sounds, which makes them well-suited for capturing the details of cymbals, violins, and other high-frequency instruments.

Since they also need an electrical charge to create the “reservoir”, condenser microphones require an electrical power source. This can come from a battery or from the mixer in what is known as phantom power. This is a small voltage sent from the audio interface or mixing console, through the microphone cable, to power the electronics in the microphone.

Condenser microphones are commonly used in studio recordings, podcasting, voice-over work, and other applications where a high degree of accuracy and detail is required.

Ribbon microphone

Ribbon microphone

Ribbon microphones are a specialized form of dynamic microphones. These make use of a thin strip or “ribbon” of metal suspended in a magnetic field to convert sound into an electrical signal.

You may have seen old movies where a radio announcer has a large long microphone on the desk. What you may have likely seen is a ribbon microphone.

Ribbon microphones are known for their natural, uncolored sound, which makes them ideal for capturing the nuances of a performance. They have a smooth frequency response and are highly sensitive. This means that they respond well to high-frequency sounds and can capture a wide range of frequencies and even the slightest sounds

However, due to their design, ribbon microphones are very fragile. They are delicate and require care in handling and setup. They are not as rugged as dynamic microphones and are not suitable for live performances where high sound pressure levels are expected. Therefore, you will not find them used for stage work.

Instead, you will normally find them in studios where they are often used in classical, jazz, and other types of music recordings. Their natural sound can help to enhance the overall sound of the performance. They can also be found in applications such as podcasting, voice-over work, and other applications where a smooth, natural sound is desired.

Ribbon microphones are higher-end microphone and more expensive than other types of microphones.

Other ways to categorize microphones

It should be noted that whether a microphone is a dynamic, condenser or ribbon microphone is just one way to categorize a microphone. Microphones can also be categorized by its directionality, size of its diaphragm and frequency responsiveness.

Understanding all these characteristics will help you to decide when choosing a microphone for a specific application, environment, and for the desired sound.

Role Of A Sound Engineer

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Maybe you’ve been told to take over the management of the sound at a venue, or are setting up a new sound and AV support team. But what exactly does that entail and what do you need to do? In other words, what exactly are the responsibilities of a sound operator or sound engineer, especially in a live sound setting?

Overview of What a Sound Engineer / Sound Operator Does

The sound engineer is responsible for operating and maintaining the sound equipment. This is true whether it is for live performances or in a studio. This involves setting up, adjusting, and managing the sound system, as well as troubleshooting and resolving any sound issues that may arise during a performance.

However, the responsibilities of a sound operator also goes beyond just the equipment aspect. It also involves human interactions and there are people skills required too. This last one is very often undiscussed and under-appreciated aspect of the role.

The responsibilities of a sound engineer or sound operator include:

Being sympathetic to what is happening on stage

Overview of What a Sound Engineer / Operator Does

A sound operator is not just a member of the behind the scenes crew but an essential part of the action that is taking place on stage. Therefore, an essential quality is that the sound operator must be aware of and sympathetic to what is going on on stage. This could be understanding how a band wishes to sound, or wanting to help a presenter on stage deliver his or her message across to the audience as audibly clearly as possible.

Setting up and configuring the sound system

This includes setting up the speakers, amplifiers, mixing console, microphones, and other equipment to make sure it is in proper order to be used.

Soundcheck

Running a soundcheck is the process of setting the levels and adjusting the processing of the sound, for example equalization of the different instruments and vocals in the mix. This is to ensure that all elements are balanced and that the overall sound is clear and pleasing.

Mixing the sound

During a performance, the sound engineer is responsible for adjusting the levels, equalization, and other settings of the sound system to achieve the desired sound.

Troubleshooting sound issues

Troubleshooting sound issues

A good sound operator will be able to quickly identify any sound issues that may arise during a performance. It is then his or her responsiblity to make sure that the issue is addressed as quickly as possible.

Maintaining the sound system

The sound engineer is responsible for keeping the sound equipment in good working condition. In a venue, this may mean regular maintenance which could require him or her to call in the right technicians to make necessary repairs or replacements.

Working with other members of the production team

Sound engineers often work closely with other members of the production team. These include crew like the lighting designer and the stage manager. By working together, the sound engineer can help to make sure that the overall production runs smoothly.

Keeping up to date with new developments and technology

Like many other areas of work, the field of sound engineering that is constantly evolving with new technology. It is important for sound engineers to stay up to date with the latest equipment and techniques.

These are some of the main responsibilities of a sound engineer or sound operator that is managing sound systems. Depending on the venue, event or the company they work for, the duties might vary. The role of sound engineer is a crucial one as it can make or break the overall experience of the audience.

Next: Learn about what is sound and sound waves.